Feeds:
Posts
Comments

College Pigskin

Another Season in the Abyss?

Michigan 2010 Preview

Head Coach: Rich Rodriguez, 3rd Year (8-16)

2009 Record: 5-7 (1-7 Conference)

Returning Starters: 15 (8 defense, 7 offense)

When I think about the current state of the Michigan football program, I often think: “how did we get here?”  It seems like just yesterday I was on the horn with all of my Wolverine buddies talking about how dominant Michigan would be, once the newly hired coach Rich Rodriguez was able to install his system . . . what a difference a few seasons makes.

While I fully embraced the Rodriguez hire, I now find myself wondering whether its possible for ole’ Rich Rod to save his job.  I also wonder if Michigan is the right fit for Rich Rod.  Its not that I question his coaching ability.   Rather, I wonder whether new AD Dave Brandon has the patience, or more to the point, the faith to see this thing through.  After all, a dark cloud has hovered over this program, almost since the day Rodriguez arrived in Ann Arbor.  It started with Rodriguez’ messy divorce from his former team, the West Virginia Mountaineers.  Which was followed by other issues, some big (Justin Boren and Ryan Mallett transferring) and some small (taking the #1 jersey away from Daryl Stonum).  And now, we wait with baited breath as the NCAA decides how it will levy punishment against Michigan for a failure by Rodriguez and his staff to follow NCAA summer workout rules.  All of this along with one of the worst two-year records in the history of the program and it’s clear to see why this is a make or break year for Rodriguez.  Can he deliver the goods and save his job? Maybe.  Here’s a closer look. Continue Reading »

Good Vibrations

Arcade Fire

The Suburbs: 9.7

Label: Merge/Mercury

Release Date: August 3, 2010

Arcade Fire’s third and most recent release The Suburbs will change your life.  Well ok, it won’t change your life, nor will it solve world hunger.  But it will give you something to rock out to as summer winds down.

Having already established indie rock bona fides with their two previous albums, Funeral and Neon Bible, much was expected of  Arcade Fire with this new release.  Boy did they deliver.   The Suburbs is a meditation on, well suburban life.  Brothers Win and William Butler grew up in Suburban Houston, so many of the songs are reflections on that life, exploring themes of fondness, sorrow, and angst.

Musically, The Suburbs adds a few wrinkles to the band’s sound.  Producer Markus Dravis (Coldplay, Brian Eno) returns and works alongside the band in presenting a new twist on an already unique sound.  That being a strong 80′s influence.  Heck, the heavily synthed track “Sprawl II” sounds like it came straight out of Mamma Mia.  Standout tracks like post-punk rocker “Month of May”, provide a worthy counterweight to more mellow tunes like the late 70′s/early 80′s soft rock sounding tune “Modern Man.”   All of these songs fit a general narrative about a life left behind in suburbia that makes the album concise; even at 16 tracks in length.  Make no doubt about it, with this release, Arcade Fire prove that they’re one of the few bands out there that are capable of living up to the hype.

Choice Cuts: The Suburbs, City with no Children, We Used to Wait

At the Movies

Inception: 10

Warner Bros. Pictures

Release Date: July 16, 2010

Running Time: 148 minutes

Director: Christopher Nolan

Rating Scale = 1 to 10

In an otherwise disappointing summer season at the box office (see Knight & Day, The A-Team) comes Christopher Nolan’s brilliant psychological thriller Inception. Though the film’s running time is a bit long in the tooth, it is no doubt the best movie I’ve seen this year, and perhaps the last decade or so. Yes, you read that correctly. Inception is unlike any movie I’ve ever seen. Sure it borrows a few tricks from movies like Blade Runner, 2001: Space Odyssey, and even latter cult classics like Kathryn Bigelow’s Strange Days. But the sum of its parts is truly something to marvel. When asked to describe the movie, I told someone that it was one part Bond, one part Donnie Darko, and one part Ocean’s Eleven. I have no doubt that my cinephilic friends will come up with a better way to describe the movie. But bad comparisons notwithstanding, Inception is a dandy.
Continue Reading »

Good Vibrations

Happy 4th of July everyone!  Its been a while since I’ve had a chance to post something new.  With the long weekend, I figured now might be a good time to do so.  For those of you taking a long trip, here’s what I’m listening to now.  Do yourself a favor and add some of this stuff to your weekend playlist.

Edward Sharpe & The Magnetic Zeros

Up From Below: 7.5


Released: July 7, 2009

Label: Vagrant Records

Sounds like: Mamas & The Papas, Arcade Fire, Polyphonic Spree

Sure, it only took me a year to discover these guys, but better late than never.  I was first introduced to this happy group of throwbacks from my friend Casey.  The song “Home” was my first taste; I didn’t love it, but I didn’t hate it either.  Then, more recently on a roadtrip, my friend Roy threw in the whole album and the second bite at the album proved to be more satisfying.  If you didn’t know better, you’d think the album was recorded 30 years ago.  As a whole, its fun, organic, perhaps a bit derivative, but ultimately refreshing.  Great vocals, catchy melodies, and well crafted.

Select Cuts: 40 Day Dream, Home, Janglin

The Roots

How I Got Over: 8.5


Released: June 22, 2010

Label: Def jam

Sounds like: Tribe, De La Soul

How I Got Over is The Roots’ first album since they become Jimmy Fallon’s house band.  On this, their ninth album, this Philly-based rap/soul/jazz group truly shows why they continue to get the respect and adoration of so many.  As I’ve mentioned on previous occasion, the rap genre is much like the broader category of pop music, in that its quite homogeneous (or boring).  Albums like this continue to push back on the notion that rap is dead.  Its fun, creative, and it contains a bevy of credible artists (John Legend, Monsters of Folk/Jim James, Joanna Newsom).  Check it out, there’s something here for everyone.

Select Cuts: Walk Alone, Dear God 2.0, Hustla

The Water Cooler

Tom Izzo to the NBA? A Faustian Bargain Indeed

As a lifelong Michigan fan, few things would make me happier than seeing Tom Izzo jump ship as head coach of the Michigan State Spartans to take the helm of the Cavs.   Over the course of the last decade, Izzo has presided over a period of unparalleled success for the Spartans with 6 final four appearances, 6 Big Ten championships and an NCAA championship.  Although his departure would hardly mean an immediate rise to the top of the Big Ten for the Wolverines, it would make their path easier.  Yet I disagree with this potential move, as it would be nothing short of a deal with the devil that would ultimately spell doom for both parties.  Particularly because college coaches rarely (if ever) perform well in the NBA.  In Izzo’s case, he’d be walking away from a job that has made him the patron saint of Spartan-Land, in exchange for nothing of any value, except of course money; hence the Faustian Bargain.

In the case of the Cavs, they would be eschewing more qualifed NBA coaching candidates in favor of a well-known disciplinarian at the college level who has no NBA experience.  Part of the reason why college coaches find it so hard to coach in the NBA (see Calipari, Kruger, Pitino, Montgomery) is because the power structure is entirely upended.  The college game is largely coach-driven.  The coaches have all the control, and they principally drive the fortunes of any collegiate program.  In the NBA, the opposite is true.  The NBA is largely a player-driven league, where very few (Phil Jackson, Greg Popovich, Larry Brown, Doc Rivers) have a material impact on the success of their teams.  What has made each of these coaches successful is the ability to manage egos with the same skill as managing a game.  Given Izzo’s stern approach to coaching, he may find it difficult to match his success in the NBA with his tenure as a college coach.  Based upon recent reports, at least a few factions within the Cleveland organization agree.

To wit, recent reports indicate that ESPN analyst Byron Scott is being given serious consideration for the Cleveland job also.  Some have also indicated that this interest in Scott indicates is a schism between the basketball folks within the Cavs organization and owner and Spartan alum Dan Gilbert who favors Izzo.  Needless to say most of us will be curious to see how this all plays out.

In the end, I think Izzo will take the job.  I base this solely on a gut feeling, and the fact that this has dragged on for quite some time.  Also, there are rumors out there that Izzo has tired of the cheating ways of college basketball recruiting, which explains why this job offer is different.  Yet, I still question the wisdom of the move.  Above all else, this job has much less value without LeBron James.  Doubtless, Izzo would be able to get assurance from the soon-to-be free agent James before making a decision.  Still, Izzo takes the job, makes the deal with the devil, and is out of the league in 4 years but a heck of a lot richer.

Political Musings

Time for Obama 2.0?

With today marking President Barack Obama’s 500th day in office, I felt it appropriate to reflect on the state of his political brand, which has taken a hit as a result of recent events.  Those being the BP oil spill, and recent allegations that the administration attempted [rather clumsily] to lure candidates away from primary contests in Colorado and Pennsylvania.  To be sure, none of the President’s problems are matters of competence; at least not ostensibly.  Rather, Mr. Obama’s problems are mostly political.  Fortunately, he can correct these political problems, thus rebooting the Obama brand, by overhauling his political operation.  Doing so would ensure that some of the more notable political blunders of recent vintage are avoided.

Take for instance the oil spill.  Reasonable minds can agree that responsibility for the largest environmental disaster in our country’s history falls largely on BP.  Moreover, the sophisticated nature of deep-sea drilling has left all interested parties overly dependent on BP to “plug the hole.”  Given these unfortunate circumstances, no one expects the President to put on a wet suit, and dive down into the gulf and inspect the problem himself.  What Americans do expect is that the President shows some leadership on the issue.  Although I have no doubt that the President has been deeply engaged, most Americans do not share my belief.   A new USA Today/Gallup Poll that finds that a majority of Americans (53%) consider Mr. Obama’s response to the crisis as “poor” or “very poor,” illustrates this point.  Perhaps attending political fundraisers in California, or conducting interviews with Marv Albert might not have been the best way to convey a sense of urgency.

These suggestions would seem quite basic to even the most casual of observers.  Yet, Mr. Obama’s political advisers failed to see how such acts, albeit benign, might prove problematic.  Don’t get me wrong, I love San Francisco.  And I understand how important it is to help raise funds for political campaigns.  But wouldn’t it have been more wise to spend that time in the Gulf, at least looking engaged?

Compounding Mr. Obama’s oil spill problem is the recent revelation that White House Deputy Chief of Staff Jim Messina tried to coax Colorado Senate hopeful Andrew Romanoff out of running in the primary by implicitly offering him a job in the administration.  Republicans have made hay out of this and a similar situation with Joe Sestak, who was asked to do the same in the Pennsylvania Democratic Senate primary.  Like Romanoff, Sestak declined the administration’s offer, making the White House look impotent, and inviting charges from the right on political corruption.

Although these charges for an independent counsel are frivolous, they do bring forth questions regarding Mr. Obama’s supposed brand of change.  Rather than supporting upstart candidates that have chosen to eschew the political establishment, in a manner similar to that of Mr. Obama’s own presidential candidacy, the administration’s brand of governance has not resembled much change at all.  Mr. Obama would do well to take a hard look at those around him.  I suspect he may find that his political advisers have not served him well.  This is not to say that the Obama administration has been a failure.  Passing the historic health care bill alone ensures him of some place in history.  But these most recent political gaffes undercut not only the brand of politics on which he campaigned, but give voice to his critics.

Lost In Thought

The Series Finale

I find myself surprised and somewhat sad after watching last night’s series finale of Lost.  Years of twists and turns, sorrow and joy, and head-scratching plot twists, led me to believe that the finale would be more of the same: more questions than answers.  Yet I’m happy to say that the writers explained enough, and I sort of get it.

In a nutshell, the island has special powers.   Because of these powers, the island always had someone to serve as a custodian of its interests.  Jacob was chosen by his “mother” to be her successor as protector of the island.  He was to protect the island from those that would choose to do the island harm (including his brother, the Man in Black).  Jacob brings a group of people to the island as candidates to take over for him, in the event that he dies.  He chooses Jack & Co. because each of them has very little to go back to in their lives.  All of the subplots (The Others, The Other Others, Widmore and his cronies, Sayid as a hit man) are mostly tangential to the main plot of the show, which is ultimately just a battle between good and evil.  With the added sideways storyline, the plot gets a little more complicated, but the finale cleans it up and we realize that they were all in purgatory* and the coincidences that lead all of them to each other are simply a matter of destiny, creating the possibility for each of them to reunite in the afterlife.  As a complete non-sequitur, I had a flash back to the Seinfeld finale, when every minor character in the show ended up in the courtroom as the four main characters were being sentenced…..but yet I digest.

I really enjoyed the finale, I thought it was well done.  Instead of focusing on answering the many questions that were created throughout the series, the writers chose to focus on the characters and how they find redemption.   With this approach, the writers strike just the right note.  Of course, the finale was also sad in some ways.  Partly because we find out that not every character in the show has a happy ending (well they sort of do, but you get my point).  But partly because, as fans of the show, we’ve all come to enjoy and resent the mystery of the show.  And even when we became frustrated with all of the plot twists, we still came back for more because the show was a mindf*@#, akin to a bad habit or an ex-lover.  Now that the show is over, there’s clearly a void for all of us, for better or worse.

[Editor's Note: Not a huge deal but my friend Aaron rightly pointed out that the sideways world was more so purgatory than heaven as I previously indicated.  It's not obvious from watching the episode, but I do think that this is the right interpretation.]

Good Vibrations

The National: High Violet

Rating: 8.7

Label: 4AD

Release Date: May 11, 2010

Reminds me of: Beatles, Leonard Cohen, Tom Waits, Sufjan Stevens

If there was ever any question that The National was capable of being one of the few bands to define today’s musical landscape, High Violet – their fifth full-length studio album – should send a clear message that they are.  Starting with 2005′s Alligator, followed by their magnum opus Boxer, and continuing to present day, The National are in the midst of string of brilliant releases.  Quite a rare feat in today’s musical universe.

To be sure, High Violet is a bit of a downer at first blush.  Yet, it gets better with every listen.  After several, you find yourself deeply immersed in a sea of musical textures and sounds that do not readily make themselves known from the outset.  In some ways High Violet is a continuation of the formula that the band executed effortlessly on Boxer.  Lead singer Matt Berninger sings again of joy and despair (“I was afraid I’d eat your brains”), amidst the banalities of everyday life.  Furthermore, both albums offer up a unique brand of what some call “chamber pop.”  Yet High Violet goes a step further.  The production is bigger, the instrumentation is more diverse, and there is more attention paid to backing vocals (Bon Iver’s Justin Vernon and Sufjan Stevens both make cameos).

The result is another brilliant piece of work that stands up to all the other copy cat indie rock artists out there trying desperately to outshine one another with the same derivative approaches. Continue Reading »

As we make our way towards the end of the competition, one would expect the performances to improve at least a little.  Sadly, the results were mixed.  Each of the contestants did a solo and a duet.  The duets were great, but the individual performances were pretty spotty, with Crystal (surprise) being the only one that stood out.  The theme for this week was songs from Hollywood and Jamie Foxx served as the mentor.  It looked like Foxx was handing out some decent advice but it looks like it may have fallen on deaf ears. Continue Reading »

Idol Chatter

Its down to the final six.  This week the contestants performed songs from the Shania Twain catalog.  As much as I appreciate her immense popularity and success, I was less than thrilled with this week’s theme, but oh well.  Surprisingly, the performances were pretty strong overall.  It should be very interesting to see which contestant gets sent home. Continue Reading »

Older Posts »